|
|
|
|
|
Monette E1-1 Trumpet Mouthpiece
Great for producing a huge, robust sound. The rim and cup are the same as with the B1-1 and C1-1, but despite the cup depth, there is virtually no sacrifice in the upper register response and intonation. Designed for Charles Schlueter, principal trumpet of the Boston Symphony Orchestra.
compares to a Bach 1A, the very round -1 rim with no inside bite causing it to feel much wider
|
|
|
Monette E1-2 Trumpet Mouthpiece
This model has exactly the same rim and cup as the B1-2 and C1-2. Designed for Manny Laureano, principal trumpet of the Minnesota Orchestra.
compares to a Bach 1X, the flat -2 rim causing it to feel slightly narrower
|
|
|
Monette E1-5 Trumpet Mouthpiece
A popular mouthpiece for players who are used to using the B1-5 and C1-5 series mouthpieces.
compares to a Bach 1C; the 1-5 is Monette's copy of a Bach 1C rim
|
|
|
Monette E1-5M Trumpet Mouthpiece
With the same rim as the B1-5, this variation has a slightly deeper cup, offering more depth of sound and stability of response. Designed for Cal Price, Los Angeles studio recording artist and principal trumpet of the San Diego Symphony.
compares to a Bach 1B; the 1-5 is Monette's copy of a Bach 1C rim
|
|
|
Monette E2 Trumpet Mouthpiece
An extremely popular mouthpiece, this model may be the best all-around choice of Eb mouthpiece for many players. It is large enough to produce a rich, full sound, and still efficient enough to make the upper register very easy and forgiving.
compares to a Bach 1¼C
|
|
|
Monette E3 Trumpet Mouthpiece
Slightly smaller than the C2 listed above, this model has a brilliant sound and an easy upper register. Sometimes preferred by players with a naturally dark sound. Used by Joakim Agnas, principal trumpet of the Stockholm Royal Opera and founding member of the Stockholm Chamber Brass compares to a Bach 1½C
|
|
|
Monette E4 Trumpet Mouthpiece
A popular mouthpiece for players who are used to using a B4 and/or C4 mouthpiece.
compares to a Bach 1½B
|
|
|
Monette E4S Trumpet Mouthpiece
Very similar to the B4 but with less bite to the rim and a slightly brighter sound. This mouthpiece is as deep as the B4, but has a more efficient shape to the cup, making it especially good for upper register work.
compares to an old Bach 3C
|
|
|
Monette E5 Trumpet Mouthpiece
With a slightly smaller diameter than the C4, this model has a pronounced inner edge to the rim and a deep "V" cup. Best suited for players looking for a smaller mouthpiece and an unusually dark sound.
compares to a Bach 3A
|
|
|
Monette E6 Trumpet Mouthpiece
This mouthpiece is best for players who prefer a small mouthpiece or who have to play extended passages in the upper register.
compares to a Bach 3C
|
|
|
Monette E7F Trumpet Mouthpiece
This model has a medium-sized, slightly funnel-shaped cup that is very efficient. The rim is slightly flat, with a medium bite. This versatile mouthpiece is appropriate for players who prefer a smaller mouthpiece. It can be used in both small group jazz and some lead trumpet applications. Designed for jazz legend Art Farmer.
compares to a Bach 7C
|
|